There have been recent signs that, like psychedelic rock, folk, and, well, everything else before it, 90's indie rock has been gone long enough for a new generation of musicians to stake its claim to its style. Sure enough, Blitzen Trapper bear the sonic stamp of Sebadoh, Pavement, GBV et al, where the guitar playing was sloppy and singing charmingly off-kilter. But the excellent Wild Mountain Nation warrants attention on its own merits, thanks to unexpected doses of Southern rock and country balladry to keep our 'spot-the-influence' compasses confused. The great songs don't hurt either.