"Free Will"'s languor settles you in softly, its slow pulse, sizzling cymbal pads and massed Antonys letting you off easy before the clavinet, horns and disco-string strut of "Hercules Theme" throw you to the dancefloor, that drum kit and bass style giving away the DFA's participation in this project, however gladly subjugated they may be to head Herc Andy Butler. "You Belong" bounds with sounds uncannily jacked from Kevin Saunderson's early-'90s crossover playbook, and the inversions of "True False/Fake Real" couldn't be more apposite--they know you know they know it's both, bashfully full-bore.