For Willie Wright to have recorded a spare soul-drenched folk album in a single-day session in 1977 New York, it’s hard to imagine he was hoping for renown stretching beyond the night spots and Nantucket yacht clubs where the travelling musician played at and sold this, his second album.
Like many singers of his generation, Wright got his start in doo-wop groups before falling into the folk scene and recording an album in 1963 on Argo Folk, a subsidiary of Chess Records. In the intervening years between that album and Telling The Truth, he seemed to have developed a taste for faux island rhythms to add zest to his often meditative atmospheric folk. The arrangements here are super-lean, usually boasting little more than guitar commentary from The Jimmy Castor Bunch’s Harry Jensen, hippy-dippy flute, and light percussion with the occasional funky rhythm section on the more swinging tunes. Call it spiritual folk jazz, an unusual descriptor for sure, but one that only applies to a few 1970s artists, including Terry Callier, Jon Lucien, John Martyn, Eugene McDaniels, and Gil Scott-Heron.
Not all is on the esoteric end of things: "I’m So Happy Now" swings nicely with the help of his daughter Sheila on vocals, while "Nantucket Island" ends up slightly more Caribbean than it should considering its subject, but so what? "Love is Expensive" brings a touch of reggae bounce, and on "Lady of the Year" and "Son, Don’t Let Life Pass You By", he’s a dead ringer for Lou Rawls. But it was his take on Curtis Mayfield’s “Right On For Darkness” that first caught attention of collectors. Not only is it included here on disc, but it’s also thrown in as a bonus functional 5" (!) vinyl single, backed with the self-identity-probing "Africa".
Of course, this sold like hotcakes at dinnertime—a nice idea, but a bit on the later side of timing. Wright disappeared further into obscurity, never to record again, although the opportunity did arise in 1981 for another New York City session. (He never bothered to show up.) Diagnosed with Parkinson’s, he still writes today, but is long retired from live performance, so don’t hold your breath for a comeback.