"Jason Beck, the man who puts the bomb into the bombast of Chilly, retired from the rap game in 2003, and while he's dabbled since then (The Unspeakable purported to be the world's first orchestral rap album), he's managed to successfully smuggle the virtuoso pianist into our midst as his own career Trojan horse, and it's that persona we imagine now when we think of him. It's been a gradual and surprisingly smooth transmogrification, the electro cabaret maître d' with the extra testicle now a fully-fledged classical composer, having released Solo Piano, Solo Piano II and now this; indeed, by the conclusion of Chambers and the final song 'Myth Me', to hear the Canadian's voice suddenly appear almost feels incongruous. It's testament to just how successful he's been in his image overhaul, not that it really feels like one...Gonzales the renaissance man comes with the not uncharacteristically grand ambition of breathing new life into something contemporarily neglected. To do this, he conflates the old with the new with customary swagger." - The Quietus