"Icelandic composer and producer Jóhann Jóhannsson wrote Oscar-nominated scores for Sicario and The Theory of Everything. In his new album, Orphée, his simple, haunting sketches of instrumental poetry use the familiar tale — and elements of a particularly famous telling of it — to comment on changes in his own life.
Jean Cocteau's impressionistic 1950 film Orphée transplanted the legend to postwar Paris, and includes the poet of the title listening to mysterious voices on the radio. According to Jóhannsson's liner notes, it's an effect he chose to duplicate in "a period that saw old relationships die and new ones begin, old lives left behind and a new life begun in a new city."
If you're into Philip Glass and Michael Nyman and Arvo Pärt and movie soundtracks in general, this could be for you. You'll probably hear this music on TV and out in the world. Maybe it'll decorate a rainy afternoon, give texture to your night or even remind you of your capacity to follow the promise of someone — a lover, even a fellow musician — to the future, to the past, to Heaven, to Hell." - NPR