Thank You!

Soundscapes will be closing permanently on September 30th, 2021.

Open every day between Spetember 22nd-30th

We'd like to thank all of our loyal customers over the years, you have made it all worthwhile! The last 20 years have seen a golden age in access to the world's recorded music history both in physical media and online. We were happy to be a part of sharing our knowledge of some of that great music with you. We hope you enjoyed most of what we sold & recommended to you over the years and hope you will continue to seek out the music that matters.

In the meantime we'll be selling our remaining inventory, including thousands of play copies, many of which are rare and/or out-of-print, never to be seen again. Over the next few weeks the discounts will increase and the price of play copies will decrease. Here are the details:

New CDs, LPs, DVDs, Blu-ray, Books 60% off 15% off

Rare & out-of-print new CDs 60% off 50% off

Rare/Premium/Out-of-print play copies $4.99 $14.99

Other play copies $2.99 $8.99

Magazine back issues $1 $2/each or 10 for $5 $15

Adjusted Hours & Ticket Refunds

We will be resuming our closing sale beginning Friday, June 11. Our hours will be as follows:

Wednesday-Saturday 12pm-7pm
Sunday 11am-6pm

Open every day between September 22nd-30th

We will no longer be providing ticket refunds for tickets purchased from the shop, however, you will be able to obtain refunds directly from the promoters of the shows. Please refer to the top of your ticket to determine the promoter. Here is the contact info for the promoters:

Collective Concerts/Horseshoe Tavern Presents/Lee's Palace Presents: shows@collectiveconcerts.com
Embrace Presents: info@embracepresents.com
MRG Concerts: ticketing@themrggroup.com
Live Nation: infotoronto@livenation.com
Venus Fest: venusfesttoronto@gmail.com

We apologize for any inconvenience this may cause. Thank you for your understanding.

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Sunday
Sep142008

ALEXANDER TUCKER - Portal / ANNE BRIGGS - S/T

 
Cultivating an untrammelled, drony and pagan/Saxon sound (tech-enabled by studio multitracking and live looping, mind you) and singing in a spooked style simpatico with Blue Fog acoustic doomer Wyrd Visions, Alexander Tucker's tunes likewise harness near-metal mystic sustain, married to chugging strings and repetitive fingerpicked figures, causing each song to come off like an ancient introverted war cry, or some modern mead-hall thrash troubadour.

Far less amplified or obtuse, around forty years back and a few branches over in the olde English and Scottish ballad traditions, Anne Briggs' self-titled 1971 album shows why she's considered one of the most important post-war British folk-revival interpreters, and a clear influence on many of Tucker's peers, especially the offhand acapella efforts of Richard Youngs. Fairport fans who haven't yet heard Briggs' debut should check her wildly different takes on Liege & Lief's "Reynardine" and "Tam Lin" (as the variant "Young Tambling"), and the Irish version of "The Cuckoo" she sings bares little resemblance to the one passed down from Clarence Ashley to so many American musicians.

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