Thank You!

Soundscapes will be closing permanently on September 30th, 2021.

Open every day between Spetember 22nd-30th

We'd like to thank all of our loyal customers over the years, you have made it all worthwhile! The last 20 years have seen a golden age in access to the world's recorded music history both in physical media and online. We were happy to be a part of sharing our knowledge of some of that great music with you. We hope you enjoyed most of what we sold & recommended to you over the years and hope you will continue to seek out the music that matters.

In the meantime we'll be selling our remaining inventory, including thousands of play copies, many of which are rare and/or out-of-print, never to be seen again. Over the next few weeks the discounts will increase and the price of play copies will decrease. Here are the details:

New CDs, LPs, DVDs, Blu-ray, Books 60% off 15% off

Rare & out-of-print new CDs 60% off 50% off

Rare/Premium/Out-of-print play copies $4.99 $14.99

Other play copies $2.99 $8.99

Magazine back issues $1 $2/each or 10 for $5 $15

Adjusted Hours & Ticket Refunds

We will be resuming our closing sale beginning Friday, June 11. Our hours will be as follows:

Wednesday-Saturday 12pm-7pm
Sunday 11am-6pm

Open every day between September 22nd-30th

We will no longer be providing ticket refunds for tickets purchased from the shop, however, you will be able to obtain refunds directly from the promoters of the shows. Please refer to the top of your ticket to determine the promoter. Here is the contact info for the promoters:

Collective Concerts/Horseshoe Tavern Presents/Lee's Palace Presents: shows@collectiveconcerts.com
Embrace Presents: info@embracepresents.com
MRG Concerts: ticketing@themrggroup.com
Live Nation: infotoronto@livenation.com
Venus Fest: venusfesttoronto@gmail.com

We apologize for any inconvenience this may cause. Thank you for your understanding.

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Sunday
Nov072010

SUSUMU YOKOTA - Kaleidoscope

Susumu Yokota may not be a household name, but in certain circles he is certainly a recognized benchmark. For over a decade, Yokota has been quietly making quiet music whose quality speaks much louder volumes. True, his catalogue also includes some exceptional house albums, but his main output has been focused on the kind of ambient electronic albums that anyone outside of Eno, Budd and Aphex Twin would kill to make one of. Records like Sakura, The Grinning Cat, The Boy and The Tree, and Laputa all feature Yokota's signature touches—merging patterns of traditional and ethnic music from around the world with gorgeous synth pads, gently loping rhythms and ear-catching found sounds. What has always saved him from merely making background music is the way he can subtly anchor his pieces with a kind of sonic narration. It's hard to explain in any way other than to say that his records go places—all while remaining quite still.

Kaleidoscope, while representing no real quantum shift in his approach, is another solid addition to Yokota's body of work. Like the best albums of this genre, it takes on dramatically different forms depending on the volume used by and the attentiveness of the listener. The music works in layers, and what appears translucent and hazy from a distance is sketched with surprising detail up close. The tortoise-paced evolution of colours on "Lily Scent Jealousy" is pulse-calming, but underneath voices calling for "The mothership..." hint at great unrest. 

Yokota's years of being a house producer also make a few appearances, albeit in atypical ways. "Pebble On The Verge Of Breaking" plays its title out, as Yokota uses the classic dance floor trick of a reverse whoosh after a long keyboard build up to signal the throbbing bass-heavy beat...except, in this case, the beat never comes. It plays with our Pavlovian sense of anticipation skillfully, keeping our senses riveted to what is essentially quite static music.

In the end, just another day in the workshop by a master craftsman. Beautiful stuff.

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