Thank You!

Soundscapes will be closing permanently on September 30th, 2021.

Open every day between Spetember 22nd-30th

We'd like to thank all of our loyal customers over the years, you have made it all worthwhile! The last 20 years have seen a golden age in access to the world's recorded music history both in physical media and online. We were happy to be a part of sharing our knowledge of some of that great music with you. We hope you enjoyed most of what we sold & recommended to you over the years and hope you will continue to seek out the music that matters.

In the meantime we'll be selling our remaining inventory, including thousands of play copies, many of which are rare and/or out-of-print, never to be seen again. Over the next few weeks the discounts will increase and the price of play copies will decrease. Here are the details:

New CDs, LPs, DVDs, Blu-ray, Books 60% off 15% off

Rare & out-of-print new CDs 60% off 50% off

Rare/Premium/Out-of-print play copies $4.99 $14.99

Other play copies $2.99 $8.99

Magazine back issues $1 $2/each or 10 for $5 $15

Adjusted Hours & Ticket Refunds

We will be resuming our closing sale beginning Friday, June 11. Our hours will be as follows:

Wednesday-Saturday 12pm-7pm
Sunday 11am-6pm

Open every day between September 22nd-30th

We will no longer be providing ticket refunds for tickets purchased from the shop, however, you will be able to obtain refunds directly from the promoters of the shows. Please refer to the top of your ticket to determine the promoter. Here is the contact info for the promoters:

Collective Concerts/Horseshoe Tavern Presents/Lee's Palace Presents: shows@collectiveconcerts.com
Embrace Presents: info@embracepresents.com
MRG Concerts: ticketing@themrggroup.com
Live Nation: infotoronto@livenation.com
Venus Fest: venusfesttoronto@gmail.com

We apologize for any inconvenience this may cause. Thank you for your understanding.

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Wednesday
Feb102010

TREAT ME LIKE DIRT: An Oral History Of Punk In Toronto And Beyond 1977-1981

Imagine for a moment a Toronto where only bands covering contemporary hits were deemed worthy of performing in bars. Imagine this city devoid of small venues where groups could play original material in front of supportive audiences. That was indeed the Toronto the Good (and downright dull) of the mid-Seventies, when into this musical vacuum stepped in a bunch of bizarrely-dressed, artsy, noisy, rebellious misfits creating the local punk rock scene, one that came hot on the heels of New York and London's in importance.

Author Liz Worth thoroughly researched this labour of love, the first book to chronicle the development of Toronto's punk underground. All the movers and shakers of the scene were interviewed, including members of local legends like The Viletones, The Diodes, The Ugly, and The B-Girls, all offering up bittersweet recollections of making music distinctly at odds with the stagnant rock mainstream of the day. Crucial musicians from Hamilton, an important punk breeding ground giving us Simply Saucer, Teenage Head, and The Forgotten Rebels, also make up an essential chunk of the story. It's a fascinating and occasionally disturbing tale, as the Toronto scene wasn't immune to infighting, gratuitous violence, and drug abuse. Faced with hostile reactions from news media along with radio and record company neglect, it was a pretty thankless job for Southern Ontario punks to make inroads in a country resistant to their audacious music.

Nevertheless, they established the nucleus of Toronto's alternative/indie-rock infrastructure, and Treat Me Like Dirt recognizes the importance of such larger-than-life personalities as The Viletones' Steven Leckie, the aptly-named Mike Nightmare of The Ugly, and Teenage Head's charismatic Frankie Venom, not to mention the managers and promoters who took chances on controversial groups when nobody else wanted to come near them. They're all here in this remarkable book, recommended to anyone who cares about this city's musical legacy.

(Author Liz Worth will be in conversation with Liisa Ladouceur here at Soundscapes on Sat. Feb 13 at 5pm.)

Reader Comments (2)

I just finished the book last night. It really captures what it felt like to be there and I recommend it highly. My only quibble is that it slights the second wave Queen St. bands of 1978-79, like Martha and the Muffins, the Everglades and the Biffs, presumably on the basis that they were "New Wave" and therefore more "respectable" than punk. But they were just as interesting as the punk bands and sometimes a lot more so, as in the case of the Muffins. They should have been part of this story too.

That's a small complaint, though. You should read this book if you have any interest at all in punk or in the genesis of the present-day indie scene in Canada.

February 11, 2010 | Unregistered CommenterTycho

I must say that this book will capture your interests quite well. Everything is so vividly written, and I now understand a lot more about the punk culture in Toronto. :)
Will Lamkes
Toronto Apartment Rentals

October 21, 2010 | Unregistered CommenterWill Lamkes

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