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Soundscapes will be closing permanently on September 30th, 2021.

Open every day between Spetember 22nd-30th

We'd like to thank all of our loyal customers over the years, you have made it all worthwhile! The last 20 years have seen a golden age in access to the world's recorded music history both in physical media and online. We were happy to be a part of sharing our knowledge of some of that great music with you. We hope you enjoyed most of what we sold & recommended to you over the years and hope you will continue to seek out the music that matters.

In the meantime we'll be selling our remaining inventory, including thousands of play copies, many of which are rare and/or out-of-print, never to be seen again. Over the next few weeks the discounts will increase and the price of play copies will decrease. Here are the details:

New CDs, LPs, DVDs, Blu-ray, Books 60% off 15% off

Rare & out-of-print new CDs 60% off 50% off

Rare/Premium/Out-of-print play copies $4.99 $14.99

Other play copies $2.99 $8.99

Magazine back issues $1 $2/each or 10 for $5 $15

Adjusted Hours & Ticket Refunds

We will be resuming our closing sale beginning Friday, June 11. Our hours will be as follows:

Wednesday-Saturday 12pm-7pm
Sunday 11am-6pm

Open every day between September 22nd-30th

We will no longer be providing ticket refunds for tickets purchased from the shop, however, you will be able to obtain refunds directly from the promoters of the shows. Please refer to the top of your ticket to determine the promoter. Here is the contact info for the promoters:

Collective Concerts/Horseshoe Tavern Presents/Lee's Palace Presents: shows@collectiveconcerts.com
Embrace Presents: info@embracepresents.com
MRG Concerts: ticketing@themrggroup.com
Live Nation: infotoronto@livenation.com
Venus Fest: venusfesttoronto@gmail.com

We apologize for any inconvenience this may cause. Thank you for your understanding.

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Friday
Apr162010

ERYKAH BADU - New Amerykah Part Two: Return Of The Ankh

It's ironic that it's a video from this album (Badu's one-shot stripping stroll through Dallas for first single "Window Seat") that's the source of so much controversy—it is by far a more mellow installment than its New Amerykah predecessor. Where the first record (subtitled 4th World War) was an often angry album, Return of the Ankh chooses to fight fire with love.

It's not so much that the record is overly sentimental or saccharine, but rather that nearly all of the tracks find themselves directly concerned with matters of the heart. This focus imparts a far more settled vibe on the album, and it's hard not to feel just a little disappointed at first. Part of what made Part One such an exciting listen was its exceptionally unpredictable and fearless nature. Songs dissolved into bizarre left turns and absorbing segues—none more so than the awesomely bizarre trumpet-and-voice scat that closed "Me". Return of the Ankh instead lays its cards out on the table for all to see, which makes sense.

Where 4th World War aimed to confront, this album wishes to seduce. And once you become acclimatized to its objectives, the record nearly proves to be its equal. The mid-record double shot of "Gone Baby, Don't Be Long" and "Umm Hmm" is a sultry pairing, while "Love" uses a head-nodding J Dilla track to have Badu channel her inherent oddness in a way that perfectly suits the record. The album's tempo rarely breaks a sweat and its charms are coy and delicate in how they blossom, but this ends up being a very worthy partner to one of the better soul records of the past few years.

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