ANIBAL VELASQUEZ - Mambo Loco

Before Lucho Bermudez and Pedro Laza, the first Colombian giant I fell in love with was Anibal Velasquez, via a bunch of surprisingly high-quality (despite the tacky packaging) Latin compilations released by the Charly label in 1997. Velasquez’ aggressive, piercing accordion sound worked perfectly with his tough-as-nails small ensembles that, against all expectations of danceable music, de-emphasized the bottom end in favour of an almost abrasive approach to groove—totally opposite to everything I hated about the slickness of some Latin styles. I needed more, but couldn’t find any. I resorted to ordering straight from Discos Fuentes in Colombia, but couldn’t find a whole lot. Turns out he preferred to move from label to label, earning himself the nickname "Anibal Todo Sello", or "Anibal all labels", which sounds cool, but not if you're the one seeking out his tracks for buying or compiling. Add to this the fact that he has been recording since 1952, and you’ve got a bit of a hunting and licensing nightmare to deal with! 

Well, along comes Analog Africa, taking a surprising turn away from their eponymous continent towards none other than El Mago himself. This set shows off the massive influence of the frenetic Cuban guaracha on his style, and puts more spotlight on the instrumental prowess of his bands. One listen and you’ll understand why both Analog Africa and I dig Velasquez’ heaviness. Savour it until Soundways finally drops the long-delayed follow up to their 2007 Colombia! comp.