Thank You!

Soundscapes will be closing permanently on September 30th, 2021.

Open every day between Spetember 22nd-30th

We'd like to thank all of our loyal customers over the years, you have made it all worthwhile! The last 20 years have seen a golden age in access to the world's recorded music history both in physical media and online. We were happy to be a part of sharing our knowledge of some of that great music with you. We hope you enjoyed most of what we sold & recommended to you over the years and hope you will continue to seek out the music that matters.

In the meantime we'll be selling our remaining inventory, including thousands of play copies, many of which are rare and/or out-of-print, never to be seen again. Over the next few weeks the discounts will increase and the price of play copies will decrease. Here are the details:

New CDs, LPs, DVDs, Blu-ray, Books 60% off 15% off

Rare & out-of-print new CDs 60% off 50% off

Rare/Premium/Out-of-print play copies $4.99 $14.99

Other play copies $2.99 $8.99

Magazine back issues $1 $2/each or 10 for $5 $15

Adjusted Hours & Ticket Refunds

We will be resuming our closing sale beginning Friday, June 11. Our hours will be as follows:

Wednesday-Saturday 12pm-7pm
Sunday 11am-6pm

Open every day between September 22nd-30th

We will no longer be providing ticket refunds for tickets purchased from the shop, however, you will be able to obtain refunds directly from the promoters of the shows. Please refer to the top of your ticket to determine the promoter. Here is the contact info for the promoters:

Collective Concerts/Horseshoe Tavern Presents/Lee's Palace Presents: shows@collectiveconcerts.com
Embrace Presents: info@embracepresents.com
MRG Concerts: ticketing@themrggroup.com
Live Nation: infotoronto@livenation.com
Venus Fest: venusfesttoronto@gmail.com

We apologize for any inconvenience this may cause. Thank you for your understanding.

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Saturday
Sep182010

S. CAREY - All We Grow

Let's get this out of the way—Sean Carey's choice of moniker comes off as one hell of a lame joke ("Boo!" Get it?). Shuffle around that groaner though, and you'll arrive at an album that is anything but dumb. But is it also too smart for its own good? After all, Carey (who got a leg in indie rock's door by landing a key role in Bon Iver's live band) is a trained percussionist with an ear for avant-classical heavyweights such as Glass, Riley and Reich. Adding these tendencies to the often self-important navel-gazing of indie-folk ain't always the best idea.

Fortunately, here he marries them superbly to a songwriting style that favours impressions and moods over verses and choruses. All We Grow seeps and bleeds like water from a split vase across a thick tablecloth. Its patterns are subtle and slightly random, and their borders are easily lost against the white-on-white of sighing vocals, folksy strumming, lightly shifting percussion and impressively nuanced orchestrations. As such, it works best when it is allowed to figure itself out—hands-off listening lets each of these tunes become something a little different every time you hear them. It's a beautiful little session.

Now, that said, one can't help but feel that with just a little more cohesion in the songwriting department (something his employer could really help foster), All We Grow could, well, grow into something more than just avant-garde. But as a debut, it signals a major talent that had previously been lurking in the shadows. Where he goes from here could be 'scarey' indeed.

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