Thank You!

Soundscapes will be closing permanently on September 30th, 2021.

Open every day between Spetember 22nd-30th

We'd like to thank all of our loyal customers over the years, you have made it all worthwhile! The last 20 years have seen a golden age in access to the world's recorded music history both in physical media and online. We were happy to be a part of sharing our knowledge of some of that great music with you. We hope you enjoyed most of what we sold & recommended to you over the years and hope you will continue to seek out the music that matters.

In the meantime we'll be selling our remaining inventory, including thousands of play copies, many of which are rare and/or out-of-print, never to be seen again. Over the next few weeks the discounts will increase and the price of play copies will decrease. Here are the details:

New CDs, LPs, DVDs, Blu-ray, Books 60% off 15% off

Rare & out-of-print new CDs 60% off 50% off

Rare/Premium/Out-of-print play copies $4.99 $14.99

Other play copies $2.99 $8.99

Magazine back issues $1 $2/each or 10 for $5 $15

Adjusted Hours & Ticket Refunds

We will be resuming our closing sale beginning Friday, June 11. Our hours will be as follows:

Wednesday-Saturday 12pm-7pm
Sunday 11am-6pm

Open every day between September 22nd-30th

We will no longer be providing ticket refunds for tickets purchased from the shop, however, you will be able to obtain refunds directly from the promoters of the shows. Please refer to the top of your ticket to determine the promoter. Here is the contact info for the promoters:

Collective Concerts/Horseshoe Tavern Presents/Lee's Palace Presents: shows@collectiveconcerts.com
Embrace Presents: info@embracepresents.com
MRG Concerts: ticketing@themrggroup.com
Live Nation: infotoronto@livenation.com
Venus Fest: venusfesttoronto@gmail.com

We apologize for any inconvenience this may cause. Thank you for your understanding.

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Thursday
Apr142011

JONNY - S/T

Jonny is the super-group (or more precisely super-duo) of Norman Blake of Teenage Fanclub and Euros Childs, formerly of Gorky’s Zygotic Mynci. The two met each other when their respective bands toured together in 1997. From there, Norman Blake contributed backup vocals to Gorky’s’ How I Long To Feel That Summer In My Heart LP in 2001. In 2006, the pair got together at Blake’s house in Glasgow to record an EP. Those tracks are included here as a bonus set of four tracks. Luckily for us, the two continued to write a full-length together, the end result being this wonderful debut.

At first glance, the pairing seems natural enough. They’re both non-English Brits (Norman’s a Scot, Euro a Welshman) who established their careers in the '90s. Both are celebrated songwriters with unique gifts for hook-driven pop music. But at closer inspection, they are quite different artists. Childs is a highly idiosyncratic songwriter who sings about animals and whimsical themes; Blake has maintained his Big Star and Byrds blueprint over two decades. Interesting fact: In 2005, Teenage Fanclub (in which Blake is one of three songwriters) released Man Made, followed up by last year’s Shadows. In less time, Euros Childs has released five solo albums!

While the majority of the album was written together, Childs has sole authorship of five tracks. Even on the shared songs, Childs’ unique vocal timbre and accent mark their territory and show him to be the top dog here. Still, it’s a more successful synthesis than some might expect, with the two playing to their similarities while allowing enough of their distinctive hallmarks to seep through.

Both are energized and seem to be having a great time harmonizing with each other and being a bit silly, setting the tone on "Wich Is Wich", the album opener with its goofy lyric and short Moog solo. Lead single “Candyfloss” is pure Gorky’s-channeling-"Incense and Peppermints" in the verses, before flowing into the classic Teenage Fanclub harmony sound for the bridge—a perfect melding of their individual talents. "Circling the Sun" is Blake’s shining moment, with everything one could love about his songwriting.

Clearly, Childs and Blake care too much about each other’s music to treat the project as a cast-offs bin. This sounds nothing like a vanity side project, and everything like a contender for best duo performance of the year! 

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