Thank You!

Soundscapes will be closing permanently on September 30th, 2021.

Open every day between Spetember 22nd-30th

We'd like to thank all of our loyal customers over the years, you have made it all worthwhile! The last 20 years have seen a golden age in access to the world's recorded music history both in physical media and online. We were happy to be a part of sharing our knowledge of some of that great music with you. We hope you enjoyed most of what we sold & recommended to you over the years and hope you will continue to seek out the music that matters.

In the meantime we'll be selling our remaining inventory, including thousands of play copies, many of which are rare and/or out-of-print, never to be seen again. Over the next few weeks the discounts will increase and the price of play copies will decrease. Here are the details:

New CDs, LPs, DVDs, Blu-ray, Books 60% off 15% off

Rare & out-of-print new CDs 60% off 50% off

Rare/Premium/Out-of-print play copies $4.99 $14.99

Other play copies $2.99 $8.99

Magazine back issues $1 $2/each or 10 for $5 $15

Adjusted Hours & Ticket Refunds

We will be resuming our closing sale beginning Friday, June 11. Our hours will be as follows:

Wednesday-Saturday 12pm-7pm
Sunday 11am-6pm

Open every day between September 22nd-30th

We will no longer be providing ticket refunds for tickets purchased from the shop, however, you will be able to obtain refunds directly from the promoters of the shows. Please refer to the top of your ticket to determine the promoter. Here is the contact info for the promoters:

Collective Concerts/Horseshoe Tavern Presents/Lee's Palace Presents: shows@collectiveconcerts.com
Embrace Presents: info@embracepresents.com
MRG Concerts: ticketing@themrggroup.com
Live Nation: infotoronto@livenation.com
Venus Fest: venusfesttoronto@gmail.com

We apologize for any inconvenience this may cause. Thank you for your understanding.

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Thursday
Jul282011

NINO TEMPO & APRIL STEVENS - Hey Baby! Anthology

As far as magical pop music moments go, the story of Nino Tempo and April Stevens' almost-never-was hit "Deep Purple" is a swell one. It’s a classic tale of in-studio goofing off gone right; Nino couldn’t remember the lyrics to the second half of the Tin Pan Alley tune, so sister April gently cooed them to him. The charming improvisation was captured in two poorly rehearsed takes, and a number one hit was born.

The success of Nino Tempo and April Stevens (née Tempo) was indeed not overnight, in spite of the fluke of their massive hit. As children they moved to California to pursue their musical and theatrical dreams, with April cutting a saucy single "Warm Soft Lips" in 1953 (included in this compilation and the reason for the 'Stevens' surname change; gushingly singing about warm, soft lips had the potential to ruin young April’s reputation and any chance of a wholesome career)! Nino dabbled in film but got his true break as a jazz musician turned sought-after session player, becoming a favourite of Atlantic Records head honcho Ahmet Ertegun which led to Nino and his sister signing to Atlantic’s subsidiary label Atco.

This new Ace compilation is a full retrospective of Nino and April’s careers that includes numerous solo efforts by both. Their efforts as a duo initially took inspiration from the success of "Deep Purple" with Nino and April singing sweet sound-alike tunes featuring Nino's signature imperfect harmonica and April's spoken interludes.  A 'don't mess with success' attitude meant that there was a definite emphasis on reinventing 1920s and 30s classics (dig on their organ-anchored and sibling-harmonized take on "Honeysuckle Rose") and love songs of a more recent vintage such as "Hey! Baby." One's enjoyment of the duo's polarizing version of the Paris Sisters' "I Love How You Love Me" (recently heard on the stellar Nuggets: Where the Action Is! box set) depends on how much heavily panned bagpipe one can handle (this writer is planted firmly in the pro-bagpipe camp). As their follow-up singles struggled to find an audience, Nino and April left Atco to land at White Whale records, home of The Turtles.

White Whale gave Nino carte blanche in the studio, leading to 1966’s All Strung Out LP, a gorgeous more-Phil-Spector-than-Spector production that used the Wrecking Crew musicians as well as Gold Star Studios. It yielded two stunningly lush singles, "All Strung Out" and "I Can’t Go On Living Baby Without You’" (the latter song becoming a bit of an obsession for this writer in the weeks since this compilation was released). 

It’s evident in the variety of the material on this compilation that Nino and April had difficulty developing a marketable niche for themselves in the competitive pop landscape, and it’s a definite bummer that they never sustained their initial success, especially considering the easy charm of their early recordings and the killer playing and production on their later work. The sequencing of this compilation is thankfully not chronological, giving each track the opportunity to shine outside of any contextual confines. All in all, it’s one of the year’s most satisfying reissues—let’s give Nino and April their due!

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