Thank You!

Soundscapes will be closing permanently on September 30th, 2021.

Open every day between Spetember 22nd-30th

We'd like to thank all of our loyal customers over the years, you have made it all worthwhile! The last 20 years have seen a golden age in access to the world's recorded music history both in physical media and online. We were happy to be a part of sharing our knowledge of some of that great music with you. We hope you enjoyed most of what we sold & recommended to you over the years and hope you will continue to seek out the music that matters.

In the meantime we'll be selling our remaining inventory, including thousands of play copies, many of which are rare and/or out-of-print, never to be seen again. Over the next few weeks the discounts will increase and the price of play copies will decrease. Here are the details:

New CDs, LPs, DVDs, Blu-ray, Books 60% off 15% off

Rare & out-of-print new CDs 60% off 50% off

Rare/Premium/Out-of-print play copies $4.99 $14.99

Other play copies $2.99 $8.99

Magazine back issues $1 $2/each or 10 for $5 $15

Adjusted Hours & Ticket Refunds

We will be resuming our closing sale beginning Friday, June 11. Our hours will be as follows:

Wednesday-Saturday 12pm-7pm
Sunday 11am-6pm

Open every day between September 22nd-30th

We will no longer be providing ticket refunds for tickets purchased from the shop, however, you will be able to obtain refunds directly from the promoters of the shows. Please refer to the top of your ticket to determine the promoter. Here is the contact info for the promoters:

Collective Concerts/Horseshoe Tavern Presents/Lee's Palace Presents: shows@collectiveconcerts.com
Embrace Presents: info@embracepresents.com
MRG Concerts: ticketing@themrggroup.com
Live Nation: infotoronto@livenation.com
Venus Fest: venusfesttoronto@gmail.com

We apologize for any inconvenience this may cause. Thank you for your understanding.

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Monday
Jan232012

GUIDED BY VOICES - Let's Go Eat The Factory

Try as we might to deny it, none of us is immune to the powers of sentimentality. For a good handful of us (this writer included), this knee-jerk response simply can't be overlooked in the curiosity about this record.

Do I even need to go into the reasons why? If you're on this site, probably not but just to be safe... Let's Go Eat The Factory represents the first album by the 'classic' line-up of Guided By Voices since 1996's exceptional (and, in my opinion, career best) album Under the Bushes, Under the Stars. While GBV (led by the human songwriting vending machine that is Bob Pollard) would go on to record many more albums with different personnel, it was the line-up of Pollard, Tobin Sprout, Mitch Mitchell, Kevin Fennel and Greg Demos that turned indie rock on its ear in the mid-'90s.

The magic of this equation centred around two key elements: spartan, hissy home recording, and an uncanny ability to unleash literally dozens of exceptional pop hooks through songs that lasted only as long as it took to express them. For example, 1995's Alien Lanes contains a mind-bending 28 songs in only 41 minutes. And unlike hardcore albums with a similar work rate, this trait had nothing to do with either speed or a blurring sameness of the material—these records were wildly unpredictable, leaping from muscular arena rock to mini-prog suites to surreal psych and anywhere else they fancied. Though the group spawned a legion of imitators, they were quite unlike any other band.

So it's not surprising that even though Pollard had never stopped releasing albums since GBV's official end in 2004 (and at the rate of about four a year!), many of us who had left the group behind are emotionally drawn back to the band by this news. And Let's Go Eat The Factory does replicate some of their fabled magic, in that it at least sounds the part. After Bushes saw the career basement-dwellers begin to embrace the professional studio, the band grew increasingly distanced from their trademark lo-fi style. Although Pollard has been all over it in his solo releases since, it's a real jolt just to hear how scrappy Factory sounds. This low production value works hand-in-hand with the charmingly less-than-tight performances to create an atmosphere that truly is reminiscent of classic GBV. Loose, impulsive, messy...love it.

Where it's not quite up to snuff is in the songs themselves. As unorthodox as both '94's breakthrough Bee Thousand and Alien Lanes were, they were also relentless in their presentation of hit after hit after sun-warped hit. In this respect, Factory has more in common with the records that led up to that breakout pair, Vampire On Titus and Propeller—good records, but ones with more than their fair share of filler. So while "The Unsinkable Fats Domino," "Imperial Horseracing," "Laundry and Lasers" and "Hang Mr. Kite" are all pretty great, many others sound like these newly reformed gents are still struggling to find that magic balance between spontaneity and quality control (the latter admittedly never a GBV strong suit, even at their peak).

If there's one truly magical thing about Factory though, it's the return of Tobin Sprout. Just hearing his voice again on a GBV record is cause for celebration—his gentle boyish tenor always an appealingly contemplative foil to Pollard's brazen, cocky obfuscation. His contributions, like "Spiderfighter," "Old Bones" and "Waves" are some of the LP's best, and put into sharp relief just how much he's been missed by the band (and Pollard) over the past fifteen years.

With another disc apparently already recorded and ready to go in May, it seems like this reunion may be a bit more than a passing fancy. If that's the case, I wouldn't bet against Factory being the harbinger of even better things to come. In other words, Bee Thousand II this is not, but hey, it's only January...

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