Thank You!

Soundscapes will be closing permanently on September 30th, 2021.

Open every day between Spetember 22nd-30th

We'd like to thank all of our loyal customers over the years, you have made it all worthwhile! The last 20 years have seen a golden age in access to the world's recorded music history both in physical media and online. We were happy to be a part of sharing our knowledge of some of that great music with you. We hope you enjoyed most of what we sold & recommended to you over the years and hope you will continue to seek out the music that matters.

In the meantime we'll be selling our remaining inventory, including thousands of play copies, many of which are rare and/or out-of-print, never to be seen again. Over the next few weeks the discounts will increase and the price of play copies will decrease. Here are the details:

New CDs, LPs, DVDs, Blu-ray, Books 60% off 15% off

Rare & out-of-print new CDs 60% off 50% off

Rare/Premium/Out-of-print play copies $4.99 $14.99

Other play copies $2.99 $8.99

Magazine back issues $1 $2/each or 10 for $5 $15

Adjusted Hours & Ticket Refunds

We will be resuming our closing sale beginning Friday, June 11. Our hours will be as follows:

Wednesday-Saturday 12pm-7pm
Sunday 11am-6pm

Open every day between September 22nd-30th

We will no longer be providing ticket refunds for tickets purchased from the shop, however, you will be able to obtain refunds directly from the promoters of the shows. Please refer to the top of your ticket to determine the promoter. Here is the contact info for the promoters:

Collective Concerts/Horseshoe Tavern Presents/Lee's Palace Presents: shows@collectiveconcerts.com
Embrace Presents: info@embracepresents.com
MRG Concerts: ticketing@themrggroup.com
Live Nation: infotoronto@livenation.com
Venus Fest: venusfesttoronto@gmail.com

We apologize for any inconvenience this may cause. Thank you for your understanding.

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Friday
Oct052012

THE SEA AND CAKE - Runner

Who likes insurance salesman, am I right? Sticklers. Wet blankets. Grey-suited dullards. Premium hiking nogoodniks. Aside from that last one there, I have no doubt this is kind of how a lot of people see The Sea and Cake. Even though they've tasted the good (bad?) favour of being a 'band of the moment,' that was a long, long time ago. Since that time, the band have soldiered onward reliably, producing a ten-song album's worth of tastefully crafted music about once every two or three years (you can throw an EP or two in there as well). And minus the addition of electronics to their DNA on 1997's high point The Fawn, they've changed as little as possible in their approach. If other bands exist to stir up trouble, break conventions, or incite you to hedonistic flights of sexual and drunken abandon, this pleasant Chicago quartet merely show up with the dry, clockwork regularity of a census bureau: "Good day. Just checking to make sure that the dimensions of your home that we have on file remain up-to-date. Any new additions to the family? Is that a new car?"

But if the sheer grid-like consistency with which The Sea and Cake make music is an easy target for ridicule, it's also, like a census, an inaccurate representation of its actual value. I'm somewhat half-seriously reminded of Ed Helms' character Ted Lippy's speech in the film Cedar Rapids, wherein he naively but passionately describes his childhood admiration for local insurance agents working to help his family after his father's death. In his mind, the insurance salesman is a guardian of the people, fighting an unglamourous and lovingly unrequited battle on behalf of the general public to make certain that their stability and wealth is well-protected. Which, in a perverse (but entirely heartfelt) way is how I see The Sea and Cake in my life.

At times, the dogged determination with which this band refuses to change one iota of their music is frustrating and even confusing. But then, I stop and think about how many times their music has provided a safe harbour for my ears—a haven wherein their impeccable tastes for jazz/soul/pop amalgams, gorgeously realized musicianship, and subtle invocations of the heart and mind have never put a single foot wrong. Ever.

How, when other bands have foolishly pursued flights of greedy ambition and self-indulgence, these gentlemen have understood their duty to the public and delivered on their initial promise to them, over and over again.

And how, despite it sounding an awful lot like all of their other albums, I sure am playing the hell out of Runner. Again and again.

Simply put, I am now, as I have ever been since 1995, in good hands with The Sea and Cake. I dare say that few other bands could be so predictable and so wonderful all at once.

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