Thank You!

Soundscapes will be closing permanently on September 30th, 2021.

Open every day between Spetember 22nd-30th

We'd like to thank all of our loyal customers over the years, you have made it all worthwhile! The last 20 years have seen a golden age in access to the world's recorded music history both in physical media and online. We were happy to be a part of sharing our knowledge of some of that great music with you. We hope you enjoyed most of what we sold & recommended to you over the years and hope you will continue to seek out the music that matters.

In the meantime we'll be selling our remaining inventory, including thousands of play copies, many of which are rare and/or out-of-print, never to be seen again. Over the next few weeks the discounts will increase and the price of play copies will decrease. Here are the details:

New CDs, LPs, DVDs, Blu-ray, Books 60% off 15% off

Rare & out-of-print new CDs 60% off 50% off

Rare/Premium/Out-of-print play copies $4.99 $14.99

Other play copies $2.99 $8.99

Magazine back issues $1 $2/each or 10 for $5 $15

Adjusted Hours & Ticket Refunds

We will be resuming our closing sale beginning Friday, June 11. Our hours will be as follows:

Wednesday-Saturday 12pm-7pm
Sunday 11am-6pm

Open every day between September 22nd-30th

We will no longer be providing ticket refunds for tickets purchased from the shop, however, you will be able to obtain refunds directly from the promoters of the shows. Please refer to the top of your ticket to determine the promoter. Here is the contact info for the promoters:

Collective Concerts/Horseshoe Tavern Presents/Lee's Palace Presents: shows@collectiveconcerts.com
Embrace Presents: info@embracepresents.com
MRG Concerts: ticketing@themrggroup.com
Live Nation: infotoronto@livenation.com
Venus Fest: venusfesttoronto@gmail.com

We apologize for any inconvenience this may cause. Thank you for your understanding.

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Thursday
Mar012012

FIELD MUSIC - Plumb

Considering that their last effort—the superb Measure—was this writer's fave album of two years ago, I'm more than a little excited by the Sunderland band's latest arrival. Often, it is this type of setup that leads to a burst bubble or two, and it needs to be said: that Plumb doesn't quite, well, measure up to its predecessor. Much of this, however, has to do with pure numbers.

Even though it was a little under the radar, Measure was a behemoth 20-song, 80-minute album, towering over not only the rest of the band's catalogue, but many other records of its ilk at the time. This grand, proggy ambition was stunningly tempered by the fact that it was peppered with song after song of memorable melody and lithe, spiky riffs. Plumb is half Measure's overall length—in effect, it's that record compressed—but has only five less songs. Quick math tells you something has to give. In this case, it's the way that Plumb 's tiny songs refuse to settle on any one tack for long.

So whether it's an a capella section ("How Many More Times?"), a jittery bout of tom-tom driven rock ("It's Okay To Change"), or a slice of chamber pop ("Sorry Again, Mate"), if you blink, you'll often miss it. Of course, the funny thing about Field Music (and what ultimately saves them) is that for all of their restlessness and the rapidity with which they apply and then dispense with their ideas, they're a very beautifully nuanced and classic British pop band. From XTC and The Jam to The Stranglers and Orange Juice (and more than a little bit of Yes), the UK's tuneful musical DNA is always with these guys. Underneath all of Plumb's constant shapeshifting, there is a songcraft that rewards one's trust. 

And if it's a bit ironic that it's the double album that is the more immediately accessible of their past two, that's just part of the beauty of Field Music—a band that plays from pop's great songbook as it eagerly rips it up.

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