Thank You!

Soundscapes will be closing permanently on September 30th, 2021.

Open every day between Spetember 22nd-30th

We'd like to thank all of our loyal customers over the years, you have made it all worthwhile! The last 20 years have seen a golden age in access to the world's recorded music history both in physical media and online. We were happy to be a part of sharing our knowledge of some of that great music with you. We hope you enjoyed most of what we sold & recommended to you over the years and hope you will continue to seek out the music that matters.

In the meantime we'll be selling our remaining inventory, including thousands of play copies, many of which are rare and/or out-of-print, never to be seen again. Over the next few weeks the discounts will increase and the price of play copies will decrease. Here are the details:

New CDs, LPs, DVDs, Blu-ray, Books 60% off 15% off

Rare & out-of-print new CDs 60% off 50% off

Rare/Premium/Out-of-print play copies $4.99 $14.99

Other play copies $2.99 $8.99

Magazine back issues $1 $2/each or 10 for $5 $15

Adjusted Hours & Ticket Refunds

We will be resuming our closing sale beginning Friday, June 11. Our hours will be as follows:

Wednesday-Saturday 12pm-7pm
Sunday 11am-6pm

Open every day between September 22nd-30th

We will no longer be providing ticket refunds for tickets purchased from the shop, however, you will be able to obtain refunds directly from the promoters of the shows. Please refer to the top of your ticket to determine the promoter. Here is the contact info for the promoters:

Collective Concerts/Horseshoe Tavern Presents/Lee's Palace Presents: shows@collectiveconcerts.com
Embrace Presents: info@embracepresents.com
MRG Concerts: ticketing@themrggroup.com
Live Nation: infotoronto@livenation.com
Venus Fest: venusfesttoronto@gmail.com

We apologize for any inconvenience this may cause. Thank you for your understanding.

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Tuesday
Jan222013

YO LA TENGO - Fade

One of my favourite memories surrounding an album involves the end of a spell in Amsterdam. After a lengthy evening-that-turned-into-morning wander through the city, one of our group found himself on the wrong side of the night's ingestions. He got spontaneously and spectacularly sick outside a bar. He was one of the youngest members of our group, a really sweet kid who just kind of got a little carried away—now green in both metaphorical senses of the word. 

We had a long ride ahead of us, so we carefully helped him back to his feet and loaded him into our van. Though it was very early in the morning, no one was especially tired and this poor kid was just kind of dazed—catatonic, but fully conscious. We started driving and put on a record. It was already a favourite of myself and a friend of mine, but the kid hadn't heard it yet. "You'll love it," we assured him. "It'll help you feel better."

Over the next hour plus, no one said anything. As the Netherlands spread its low-lying beauty out before our eyes and the first spark of morning was lit, we just sat and listened—still, but fully attenuated to every note. The look on the kid's face gently moved from pained to a placid awe. As the record ended, he kind of softly managed a stunned, "That was awesome." Then he fell asleep cured, having been just a little changed by what he had heard.

The record was Yo La Tengo's eighth, I Can Hear The Heart Beating As One, still one of my absolute favourite albums to this day. Listening to Fade, now the Hoboken, N.J. trio's thirteenth record, I was reminded of the restorative moment Heart Beating brought to the virgin ears of this kid and what it said about Yo La Tengo's music in general. 

You can have a great experience with any number of albums under any number of situations. It can be the first time you hear it, or the hundredth. But I believe what made Yo La Tengo the ideal balm for that moment is the warming, welcoming nature of the music they make. For no matter what mood they find themselves in—and over their career, they've covered everything from 10-minute feedback freakouts to fuzzy pop nuggets and twilight ballads—there's an open-armedness to their songs. Yo La Tengo's music does not judge you on any level. It does not make demands upon your social standing or even musical knowledge. You can pick upon the many hidden references and homages laid throughout the seemingly endless catalogue of these highly erudite students of music. Or you can just as easily enjoy them as though each idea, each chord change, each expression never existed before they recorded it.

They are a band for the most ardent and obnoxious of music geeks, yet they are one of the first bands of such an ilk that I would recommend to a person who only bought their music at Wal-Mart. In this respect, it almost doesn't matter how great Fade is. It's yet another album by one of the most quietly enduring bands of their age. Its worth has been made by decades of already great music. It is an event.

However, it is a great album, and is one that finds the band in a moment where their warm, welcoming qualities are at a most autumnal, late-age bloom. Like many of their best records, you'll love it. It'll help you feel better.

Reader Comments (1)

Beautifully written, and one of the most to-the-true-heart-of-something I've ever read.

Thanks.

Jay

February 4, 2013 | Unregistered CommenterJason Azzopardi

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