Thank You!

Soundscapes will be closing permanently on September 30th, 2021.

Open every day between Spetember 22nd-30th

We'd like to thank all of our loyal customers over the years, you have made it all worthwhile! The last 20 years have seen a golden age in access to the world's recorded music history both in physical media and online. We were happy to be a part of sharing our knowledge of some of that great music with you. We hope you enjoyed most of what we sold & recommended to you over the years and hope you will continue to seek out the music that matters.

In the meantime we'll be selling our remaining inventory, including thousands of play copies, many of which are rare and/or out-of-print, never to be seen again. Over the next few weeks the discounts will increase and the price of play copies will decrease. Here are the details:

New CDs, LPs, DVDs, Blu-ray, Books 60% off 15% off

Rare & out-of-print new CDs 60% off 50% off

Rare/Premium/Out-of-print play copies $4.99 $14.99

Other play copies $2.99 $8.99

Magazine back issues $1 $2/each or 10 for $5 $15

Adjusted Hours & Ticket Refunds

We will be resuming our closing sale beginning Friday, June 11. Our hours will be as follows:

Wednesday-Saturday 12pm-7pm
Sunday 11am-6pm

Open every day between September 22nd-30th

We will no longer be providing ticket refunds for tickets purchased from the shop, however, you will be able to obtain refunds directly from the promoters of the shows. Please refer to the top of your ticket to determine the promoter. Here is the contact info for the promoters:

Collective Concerts/Horseshoe Tavern Presents/Lee's Palace Presents: shows@collectiveconcerts.com
Embrace Presents: info@embracepresents.com
MRG Concerts: ticketing@themrggroup.com
Live Nation: infotoronto@livenation.com
Venus Fest: venusfesttoronto@gmail.com

We apologize for any inconvenience this may cause. Thank you for your understanding.

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Saturday
Jan262013

TORO Y MOI - Anything In Return

On Anything In Return, Chaz Bundick brushes aside the Stereolab- and Caribou-like qualities of Underneath The Pine, upping the boyish R&B-pop pastiche element that's been audible in his songs (if occasionally previously couched in compression/filtering) ever since his 2010 debut, Causers Of This.

"In the first three tracks alone, you can find hints of trance and house, R&B and funk, pop and rock. Later, "Studies" mixes a rhythm straight out of '90s-era hip-hop with a melodic structure that recalls pre-Hissing Fauna of Montreal. And "Grown Up Calls" is a fractured pop gem that recalls both Kanye West and WHY?. Bundick is an artist of synthesis, and his music operates best when the stitches don’t show, like on the sub-zero groove of "Say That" or sub-frequency flow of the appropriately liquid "Cola." It’s moments like these that are the most enjoyable, because they’re the songs that fully demonstrate Bundick’s complete skill set." - Consequence of Sound

"I promise not to keep bringing up Pharrell, but the way Bundick's built these elaborate tracks around his own decidedly unspectacular voice reminds me of the way Skateboard P interrupted Jay-Z's godly party-flow on "I Just Wanna Love U" so that he could bust out his terrible Curtis Mayfield impression and somehow sound badass doing it. (Hot Chip's Alexis Taylor is also a good comparison point here; there’s a level of suave/dweeby intersection at work that we mere mortals will probably never figure out.) Bundick’s voice shouldn’t work for these expertly-assembled pleasure-machine tracks, but it does, and the ballsiness of putting that voice front and center only makes the entire thing cooler." - Stereogum

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