Thank You!

Soundscapes will be closing permanently on September 30th, 2021.

Open every day between Spetember 22nd-30th

We'd like to thank all of our loyal customers over the years, you have made it all worthwhile! The last 20 years have seen a golden age in access to the world's recorded music history both in physical media and online. We were happy to be a part of sharing our knowledge of some of that great music with you. We hope you enjoyed most of what we sold & recommended to you over the years and hope you will continue to seek out the music that matters.

In the meantime we'll be selling our remaining inventory, including thousands of play copies, many of which are rare and/or out-of-print, never to be seen again. Over the next few weeks the discounts will increase and the price of play copies will decrease. Here are the details:

New CDs, LPs, DVDs, Blu-ray, Books 60% off 15% off

Rare & out-of-print new CDs 60% off 50% off

Rare/Premium/Out-of-print play copies $4.99 $14.99

Other play copies $2.99 $8.99

Magazine back issues $1 $2/each or 10 for $5 $15

Adjusted Hours & Ticket Refunds

We will be resuming our closing sale beginning Friday, June 11. Our hours will be as follows:

Wednesday-Saturday 12pm-7pm
Sunday 11am-6pm

Open every day between September 22nd-30th

We will no longer be providing ticket refunds for tickets purchased from the shop, however, you will be able to obtain refunds directly from the promoters of the shows. Please refer to the top of your ticket to determine the promoter. Here is the contact info for the promoters:

Collective Concerts/Horseshoe Tavern Presents/Lee's Palace Presents: shows@collectiveconcerts.com
Embrace Presents: info@embracepresents.com
MRG Concerts: ticketing@themrggroup.com
Live Nation: infotoronto@livenation.com
Venus Fest: venusfesttoronto@gmail.com

We apologize for any inconvenience this may cause. Thank you for your understanding.

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1. TAME IMPALA - The Slow Rush
2. SARAH HARMER - Are We Gone
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4. DESTROYER - Have We Met
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Thursday
Mar212013

LOW - The Invisible Way

With piano playing a bigger role in most of these songs and Mimi Parker taking the lead on more tracks than is typical for the band, Jeff Tweedy's guiding hand as producer for these sessions proves to have been the perfect choice.

"There’s a neat loop formed by The Invisible Way. While calling back to the group's roots as slowcore pioneers, the disc is mostly an unplugged affair. And where recent albums dabbled in distortion and synthesizers, Invisible is all about acoustic guitar and piano. It’s also about that singular, heart-stopping Low hush. 'Amethyst' converts piano chords into soft, wet snowfalls, even as it lets single notes poke out like naked twigs. Wilco's Jeff Tweedy produces Low for the first time here, and it can’t be a coincidence that there’s a marked, if stark, country-rock tint to Invisible. On 'Holy Ghost,' Parker comes on like Emmylou Harris at her most wounded; 'Clarence White' nostalgically pays homage to the late member of The Byrds (along with, weirdly, Charlton Heston). 'Four Score' weaves a symphony out of whispers, while 'Mother' twangs plainly and poignantly." - A.V. Club

"The Invisible Way is very good—and not just 'good for a band that's 20 years old.' In fact, if you compare it to, say, U2’s Pop, the Rolling Stones' Undercover, or R.E.M.'s Reveal (all albums made around their makers' respective 20th year together), it's pretty clear that Low haven't succumbed to a lot of the weaknesses and flaws that tend to crop up in long-running acts; maybe that's one of the silver linings of never becoming world-conquering and mega-rich? The Invisible Way foregrounds piano and acoustic guitar, not instruments Low have traditionally relied on, and the result builds on 2011's tender C'mon. Where Low was once mostly spare, severe, and forbidding even when harmonizing beautifully, now they are warmly idiosyncratic songwriters that can still stun with slow-motion spellbinders like 'Amethyst' as well as the faster-paced but equally charming likes of 'Mother' and 'To Our Knees.'" - Popmatters

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