Thank You!

Soundscapes will be closing permanently on September 30th, 2021.

Open every day between Spetember 22nd-30th

We'd like to thank all of our loyal customers over the years, you have made it all worthwhile! The last 20 years have seen a golden age in access to the world's recorded music history both in physical media and online. We were happy to be a part of sharing our knowledge of some of that great music with you. We hope you enjoyed most of what we sold & recommended to you over the years and hope you will continue to seek out the music that matters.

In the meantime we'll be selling our remaining inventory, including thousands of play copies, many of which are rare and/or out-of-print, never to be seen again. Over the next few weeks the discounts will increase and the price of play copies will decrease. Here are the details:

New CDs, LPs, DVDs, Blu-ray, Books 60% off 15% off

Rare & out-of-print new CDs 60% off 50% off

Rare/Premium/Out-of-print play copies $4.99 $14.99

Other play copies $2.99 $8.99

Magazine back issues $1 $2/each or 10 for $5 $15

Adjusted Hours & Ticket Refunds

We will be resuming our closing sale beginning Friday, June 11. Our hours will be as follows:

Wednesday-Saturday 12pm-7pm
Sunday 11am-6pm

Open every day between September 22nd-30th

We will no longer be providing ticket refunds for tickets purchased from the shop, however, you will be able to obtain refunds directly from the promoters of the shows. Please refer to the top of your ticket to determine the promoter. Here is the contact info for the promoters:

Collective Concerts/Horseshoe Tavern Presents/Lee's Palace Presents: shows@collectiveconcerts.com
Embrace Presents: info@embracepresents.com
MRG Concerts: ticketing@themrggroup.com
Live Nation: infotoronto@livenation.com
Venus Fest: venusfesttoronto@gmail.com

We apologize for any inconvenience this may cause. Thank you for your understanding.

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Tuesday
Sep282010

DEERHUNTER - Halcyon Digest

I'm just going to say it: I find Deerhunter a little scary. Not dude-in-sunglasses-howling-obscenities-whilst-wearing-a-dress-smeared-in-fake-blood scary (that stage in the band's development was more funny than anything). I'm talking how-are-they-so-consistently-good scary? 

It may not seem like a lot, but over a scant few years, the band has released a pair of stunning full-lengths, a "bonus" album that shames most group's main releases, and a pair of solid EPs that contain some of their best tunes—and that's not including two excellent LPs by frontman Bradford Cox's Atlas Sound project and a decent one by guitarist Lockett Pundt's Lotus Plaza. Aside from a very regrettably named debut album—something even the band seem to roundly acknowledge as a mistake—the overall quality of their output is way above par...and a tad suspicious. Off-putting, even. 

Now, after that kind of biographical build-up, this is usually the part where the reviewer states: "And now to top it all off, they've gone and released their best album yet!" And wouldn't you know it...

Whether or not Halcyon Digest is the band's best album is up for debate, but one thing's for certain: they've thrown together an exceptional record that deserves that kind of consideration. And why is such a distinction worth more than a cheap Kinko's-made commemorative plaque hung up in the band's dingy rehearsal space? Because Deerhunter have quickly gone from being contenders to standard bearers—one of the best bands of their ilk and moment.

And I do mean "band". As much as Cox gets all the headlines and most of the credit, Halcyon Digest succeeds on the back of elegant and exquisite communication between all four members. Bassist Josh Fauver and drummer Moses Archuleta have a knack for understanding how and when to drive a song. Their playing is subtle and in the pocket throughout, which is good since, as a collection, this is Deerhunter's poppiest and most laidback album. Pundt's two tunes have already been roundly praised as two of the best on the record, and rightly so. In particular, mid-album centerpiece "Desire Lines" is a total stunner—Microcastle's "Nothing Ever Happened" in a more graceful pose, from its gently nodding chorus through to its swirling, endless coda.

With Pundt locking down a pair of classic pop tunes that act as the album's rudder, Cox ambles creatively around its perimeter—ranging wildly from stoic one-man ballads ("Sailing"), late-era Slowdive atmospherics ("Earthquake"), clanging acoustic rave-ups ("Revival"), and even old-school saxophone workouts ("Coronado"). These tastes all coalesce on first single, "Helicopter"—a chimerical gumbo of nearly everything he loves as a writer: glitchy electronics, swooping synth lines, lush guitar effects, and sighing pop hooks. About the only thing missing from it—and the whole record—is the sinister vitriol that defined half of breakthrough LP Cryptograms: the same kind of strobe-fueled vehemence that got them opening slots for Nine Inch Nails back in the day. Is it missed? It was always this writer's least favourite part of the group's sound—especially live, where when paired with Cox's theatrics, it could come off as a university student's insincere hoax. Besides, it's always something they can go back to. For now, Cox and co. have found a far more effective way of scaring people—by releasing album after album after album of impossibly great psychedelic pop music.

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