Thank You!

Soundscapes will be closing permanently on September 30th, 2021.

Open every day between Spetember 22nd-30th

We'd like to thank all of our loyal customers over the years, you have made it all worthwhile! The last 20 years have seen a golden age in access to the world's recorded music history both in physical media and online. We were happy to be a part of sharing our knowledge of some of that great music with you. We hope you enjoyed most of what we sold & recommended to you over the years and hope you will continue to seek out the music that matters.

In the meantime we'll be selling our remaining inventory, including thousands of play copies, many of which are rare and/or out-of-print, never to be seen again. Over the next few weeks the discounts will increase and the price of play copies will decrease. Here are the details:

New CDs, LPs, DVDs, Blu-ray, Books 60% off 15% off

Rare & out-of-print new CDs 60% off 50% off

Rare/Premium/Out-of-print play copies $4.99 $14.99

Other play copies $2.99 $8.99

Magazine back issues $1 $2/each or 10 for $5 $15

Adjusted Hours & Ticket Refunds

We will be resuming our closing sale beginning Friday, June 11. Our hours will be as follows:

Wednesday-Saturday 12pm-7pm
Sunday 11am-6pm

Open every day between September 22nd-30th

We will no longer be providing ticket refunds for tickets purchased from the shop, however, you will be able to obtain refunds directly from the promoters of the shows. Please refer to the top of your ticket to determine the promoter. Here is the contact info for the promoters:

Collective Concerts/Horseshoe Tavern Presents/Lee's Palace Presents: shows@collectiveconcerts.com
Embrace Presents: info@embracepresents.com
MRG Concerts: ticketing@themrggroup.com
Live Nation: infotoronto@livenation.com
Venus Fest: venusfesttoronto@gmail.com

We apologize for any inconvenience this may cause. Thank you for your understanding.

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1. TAME IMPALA - The Slow Rush
2. SARAH HARMER - Are We Gone
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4. DESTROYER - Have We Met
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Wednesday
Sep292010

GRINDERMAN - Grinderman 2

When word originally arrived of the first Grinderman album—a splinter project of Nick Cave's Bad Seeds featuring its most unruly members—it came via the hilariously untamed, but uncomfortably on-the-nose single, "No Pussy Blues". An uncompromising song fueled by fiercely in-the-red guitar tones and all the considerable midlife rage and sexual frustration Cave could muster, it was exhilarating, but it also brought up the question: could the rest of the album really be this blindingly good?

Well, it wasn't. Grinderman wasn't a failure, but there's no doubt that the rest of the record lived in that song's shadow. Grinderman 2 doesn't have a song quite as novel, explosive and fun as "No Pussy Blues", but it is a much, much better album. It's not so much tamed as focused, and more interested in the power of threat and presence than its quick-strike visceral predecessor. While this album's lead singles, "Heathen Child" and "Evil!", do a pretty good job of measuring up to that first record's bravado, the real stars now are the tracks deeper in the album. "When My Baby Comes" is an awesome display of atmosphere and swampy tension that really makes use of Warren Ellis' talent for sounds both ethereal and spooky as hell. The chilled, brief ballad "What I Know" is a well-placed and -paced mid-album moment of reflection. And "Palaces of Montezuma" is a bonafide pop tune—an immediate and hooky slice of Americana that doesn't sacrifice any of the album's overall heaviness.

In case you're worried that the new Grinderman isn't as pervy or hilarious as the original, fear not. 2 packs a serious wallop of double-entendres, self-deprecating wisecracks and leering, lustful glances. But now there's a lot more to chew on after the initial shockwave has passed. Simply put, this time around, Grinderman is a lot more than a pack of two-minute brothers. 

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